apif:
African Prints in Interior Design. Which item do u want in your apartment?
Check-out the designs here!
‘African prints’?? Anyway, I personally find this chair fucking disgusting and disgraceful.
This print is copied from a Malian fabric called Bògòlanfini or ‘mud cloth’. It has a cultural significance of importance in traditional Malian culture and identity.
‘In traditional Malian culture, bògòlanfini is worn by hunters, serving as camouflage, as ritual protection and as a badge of status. Women are wrapped in bògòlanfini after their initiation into adulthood (which includes genital cutting) and immediately after childbirth, as the cloth is believed to have the power to absorb the dangerous forces released under such circumstances.
Bògòlanfini patterns are rich in cultural significance, referring to historical events (such as a famous battle between a Malian warrior and the French), crocodiles (significant in Bambara mythology) or other objects, mythological concepts or proverbs.Since about 1980, Bògòlanfini has become a symbol of Malian cultural identity and is being promoted as such by the Malian government.’ [x]
Bògòlanfini from Mali, Kente cloth from Ghana and Ankara from all over west Africa are symbols of the cultural appropriation and destruction of African cultureS. They have sadly become incredibly popular as the ‘you want a little peice of AAAFFFRRIIKKUUUH’ get go. From shoes, to curtains, to furniture, Bògòlanfini has been bastardized to death and the people who created it, who gave it its meaning have received absolutely NO recognition whatsoever.
One of the saddest thing about this is the fact that a white American male , built ALL his fucking career by ripping off this fabric.

Yep, Keith Haring, held as art hero by some, praised for his ‘vision, creative spirit, talent, innovation’. Child, let me laugh! I wish I could laugh though but this thing is beyond fucking depressing and unfair! And you better be sure that you will find thousands upon thousands of people who know about THIS SINGLE WHITE AMERICAN MAN’S work and life than one person able to put Mali on a map. His pieces are worth MILLIONS and he gets all the fucking awards while the originators of the culture, not only stay in oblivion, but also forced to take part in the bastardisation of their culture by selling cheap copies to tourists in order NOT TO FUCKING DIE, and on top of that made to feel ashamed of their cultural identity and see it as inferior!!!

From Ciaafrique:
Living in Mali I never paid much attention to the mud cloth Because for me there was nothing nice about it. All I cared about was western clothes. My mind changed quite a bit since I started this blog because now I know that its because of the way we thought that we are still behind in fashion . I am ashamed to say that it took a western designer to use my own cloth for me to appreciate how beautiful it is.The mud cloth is a fabric that is part of my culture, and its not made in the west like Ankara(wax) is . Here is a collage from some of our fav celebs and runway models rocking the trend.
I think it is unfortunate that most discussions about cultural appropriation fail to place it in the context and process of alienation.
In order to be easily exploitable, malleable and controllable we must internalize our own inferiority and racism. And this results in us being ashamed of ourselves and rejecting who we are, i.e. our culture, identity and essence. Colons knew this which is why the understood the power of institutions such as the church and western education to break the spirit of the colonised. And once this is done, colons can totally exploit our culture for their sole consumption, taking what is sacred from us and making it meaningless, cheap and devoid of any value. Basically, they take away from us the ability to give value to anything even to ourselves.
I can somehow compare this to how as black women we are socialised to internalise that we are ugly, repulsive, worthless, our feminity is constantly under attack, all of this to make us more vulnerable to the hypersexualisation, fetishisation and sexual exploitation we have been particularly victims of throughout history and we still are to this day within white supremacy.
The ultimate aim of alienation is to make of us, our bodies and our identities, disposable objects of consumption for our oppressors. This is what cultural appropriation plays into and achieves.
(via ausetkmt)